{"id":472,"date":"2014-05-25T20:21:04","date_gmt":"2014-05-25T11:21:04","guid":{"rendered":"http:\/\/5stringcello.com\/english\/?p=472"},"modified":"2020-08-27T17:44:40","modified_gmt":"2020-08-27T08:44:40","slug":"appendix","status":"publish","type":"post","link":"https:\/\/5stringcello.com\/english\/appendix\/appendix\/","title":{"rendered":"APPENDIX"},"content":{"rendered":"

<\/p>\n

<\/p>\n

Appendix A:<\/strong>
\n<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C. Doll trying a newly-built violoncello piccolo at a String Fair in 2014.<\/em><\/p>\n

\"IMG_1450(2)\"<\/a><\/p>\n

\u00a0<\/p>\n

\"IMG_1451(1)\"<\/a><\/p>\n

\"IMG_1452<\/a><\/p>\n

\u00a0\u00a0 The size of this instrument is completely different from a 4\/4 or a 7\/8 cello. It is not impossible to be used by a cellist, but since it is so very small it\u00a0 most likely needs a quite long period of practicing in order to adjust to its short string-length. (For a better understanding of the instrument’s size: Doll is 185cm\u00a0 [6′].)<\/em><\/span><\/p>\n

 <\/p>\n

Appendix B:<\/strong><\/span><\/strong><\/p>\n

Beginning of the 1st<\/sup> movement of the 1st<\/sup> Sonata forViolin solo BWV 1001: (Click on image to enlarge.)<\/span>
\n<\/strong>
\n<\/span><\/em><\/p>\n

\"Adagio<\/a><\/span><\/p>\n

\u00a0<\/span>Menuet I of the 1st<\/sup> Suite for Violoncello solo BWV 1007: (Click on image to enlarge.)<\/span>
\n<\/strong>
\n<\/span><\/em><\/p>\n

\"Menuet<\/a><\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u00a0Beginning of the <\/em><\/span>Allemande of the 6th<\/sup> Suite for Violoncello solo BWV 1012: (Click on image to enlarge.)<\/span>
\n<\/strong>
\n<\/em><\/span><\/p>\n

\u00a0<\/span><\/p>\n

\"Allemande<\/a><\/span><\/p>\n

 <\/p>\n

Appendix C: <\/span><\/strong><\/p>\n

B. Romberg’s and J.L. Duport’s students’ tree: <\/span><\/span><\/span>(Click on image to enlarge<\/span>.<\/span>)<\/span><\/span>
\n<\/span><\/strong><\/em><\/span><\/p>\n

 <\/p>\n

\"Students-Tree-II-1024x723\"<\/a><\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

Appendix D:<\/strong>
\n<\/strong><\/p>\n

Pieces for which the use of a five string cello could be appropriate:<\/span><\/p>\n

J.S. Bach:\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Suite BWV 1012+<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sonatas BWV 1027-19*<\/p>\n

C.Ph.E. Bach: \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sonatas Wq 88*, 136*, 137*<\/p>\n

J.Ch. Bach. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Sonatas Warb B 2b*, 4b*, 6b*, 15b*<\/p>\n

L. Boccherini:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 6 Sonatas (Ricordi edition<\/em>)<\/p>\n

L. de Caix d\u2019Hervelois:\u00a0\u00a0\u00a0\u00a0 Suite I* \/ Suite II*<\/p>\n

F. Couperin: \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 La Bandoline*<\/p>\n

A. Forqueray:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Suite Nr.I*<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 La Gaillarde*\u00a0 (Arr.: L. Feuillard)<\/i><\/span><\/p>\n

G.F. H\u00e4ndel: (attributed)<\/em> <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0 12 ‘Kassel’ Sonatas~<\/p>\n

A. K\u00fchnel \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Partita XIV*<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sonata A major*<\/p>\n

M. Marais \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0 L\u2018agr\u00e9able* \/ Le Proven\u00e7ale*<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Suite A major*<\/p>\n

F. Schubert: \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sonata D 821#<\/p>\n

A. Vivaldi:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 Sonatas RV 44, RV 45, RV 47<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0+Originally for a five string instrunent. <\/i>*Originally for Viola da gamba.\u00a0 #Originally for Arpeggione. ~Originally for Viola da gamba or Recorder.
\n<\/span><\/i><\/p>\n

NOTE:\u00a0 With the exception of BWV 1012 all pieces listed above are with accompaniment.<\/p>\n

\u00a0<\/p>\n

\u00a0<\/i><\/p>\n

\u00a0<\/p>\n

 <\/p>\n

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<\/p>\n

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 <\/p>\n","protected":false},"excerpt":{"rendered":"Appendix A: \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C. Doll trying a newly-built violoncello piccolo at a String Fair in 2014. \u00a0 \u00a0\u00a0 […]","protected":false},"author":1,"featured_media":2462,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_locale":"ja","_original_post":"472","footnotes":""},"categories":[39],"tags":[],"class_list":["post-472","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-appendix","ja"],"_links":{"self":[{"href":"https:\/\/5stringcello.com\/english\/wp-json\/wp\/v2\/posts\/472"}],"collection":[{"href":"https:\/\/5stringcello.com\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/5stringcello.com\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/5stringcello.com\/english\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/5stringcello.com\/english\/wp-json\/wp\/v2\/comments?post=472"}],"version-history":[{"count":94,"href":"https:\/\/5stringcello.com\/english\/wp-json\/wp\/v2\/posts\/472\/revisions"}],"predecessor-version":[{"id":2463,"href":"https:\/\/5stringcello.com\/english\/wp-json\/wp\/v2\/posts\/472\/revisions\/2463"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/5stringcello.com\/english\/wp-json\/wp\/v2\/media\/2462"}],"wp:attachment":[{"href":"https:\/\/5stringcello.com\/english\/wp-json\/wp\/v2\/media?parent=472"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/5stringcello.com\/english\/wp-json\/wp\/v2\/categories?post=472"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/5stringcello.com\/english\/wp-json\/wp\/v2\/tags?post=472"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}